Total de resultats de la cerca: 8809
Resultats de la cerca
El óptico optometrista como responsable de ofrecer todas las soluciones visuales a cada paciente
Accés obert
24 de gen. 2013
Com adequar el missatge en funció del pacient per a oferir-li totes les solucions visuals possibles sense generar sobreinformació.
Estrategia de comunicación efectiva con el paciente: ¿cómo demostrar profesionalidad?
Accés obert
24 de gen. 2013
Descripció d'aspectes tangibles i intangibles que demostren professionalitat en la comunicació amb el pacient.
Presentació del documental "Moràvia: la ruta de la esperanza"
Accés obert
17 de gen. 2013
La Càtedra DOW/URV de Desenvolupament Sostenible ha participat en dues activitats paral·leles a l’exposició “L’aigua que treu la fam”, que des del passat 2 de novembre es pot visitar al vestíbul del Campus Terres de l’Ebre de la URV a Tortosa.
Una d'aquestas activitats ha estat la presentació del documental “Moràvia: La Ruta de la Esperanza”, el dia 17 de gener de 2013.
Al acte han estat presents el director del documental, Matías Boero, el director de la Càtedra UNESCO de Sostenibilitat de la UPC, Jordi Morató, i el director de la Càtedra DOW/URV de Desenvolupament Sostenible, Òscar Saladié.
Una d'aquestas activitats ha estat la presentació del documental “Moràvia: La Ruta de la Esperanza”, el dia 17 de gener de 2013.
Al acte han estat presents el director del documental, Matías Boero, el director de la Càtedra UNESCO de Sostenibilitat de la UPC, Jordi Morató, i el director de la Càtedra DOW/URV de Desenvolupament Sostenible, Òscar Saladié.
Acte de presentació de l'acreditació de l'ABE (Association of Building Engineers)
Accés obert
17 de gen. 2013
A l'acte van participar: Francesc de Paula Jordana i Riba, director de l’EPSEB, Kevin Blunden (Director ABE), John Michael Kirby (representant ABE a Espanya) i Gabriel Bugeda Castelltort, vicerector de Qualitat i Responsabilitat Social de la UPC.
Disseny i Packaging
Accés obert
10 de gen. 2013
Setena conferència del cicle 'Disseny i la Geltrú' que té lloc al Campus de la UPC a Vilanova i la Geltrú. Manel Bertomeu, director executiu del Barcelona Institute of Packaging (BIP), tracta el tema de la cadena de valor del packaging.
Proyectos del Realismo crítico en la era de la simultaneidad: debates sobre la gestión de la información y las actuaciones en la ciudad construida
Accés obert
1 de gen. 2013
Presentació de Tesi Doctoral de Ferran Grau Valldosera. Director: Josep Lluís Mateo (Swiss Federal institute of Technology in Zurich (ETHZ). Co-director: Eduard Bru (PA-ETSAB). Departament de Projectes Arquitectònics. Escola Tècnica Superior d'Arquitectura de Barcelona, Universitat Politècnica de Catalunya. Tesi Doctoral dipositada a TDX:http://hdl.handle.net/10803/134688
Realism in architecture is a "mutant' concept which admits multiple meanings. Accordingly it would be more precise to talk about realism - in plural - and to try to properly place each one in the contemporary context. at the same time, the relation between realism and architecture is not precise and specific anymore, we could even say it is not "real" any longer and, paradoxically, it has become more abstract. This new situation has a reason: the multiplicity of meanings that architectural realism has assumed. Trends which use architecture adjectivally are increasing more and more. For example, we can talk about high tech, iconic, virtual, sustainable, modern, commercial, classic-postmodern, or real architecture, among others. Facing this architectural variety, the debate between "realist" and "non realist" is increasingly becoming a complex issue. ln the architectural context, the main difficulty in order ta comprehend realism and specifically critic realism is precisely the definition of the meaning of "realism". We usually refer to realism in terms of what has meant in the past and not what it means in the present. The recognition of architecture realism's mutability and therefore the multiplicity of meanings establish a starting point tor this research. Among all realisms, there is one which assumes a critical attitude and a commitment with the built city as well as with the complexity of the new information Age and of globalization. In turn, architectural critical realism also assumes different forms which place it in the frame of resistance to the global; cammunicative and urban integration will; social and environmental commitment; technological development and programmatic pragmatism. This research approaches the (fragmented) definition of architectural critical realism through the study of projects built in Western Europe since 1980s and supported with references from postwar reaism (1950-1960) and the artistic and literary realism of the second half of the 191th century. Architecture of critic realism claims to be an "ethic attitude" as new brutalism was in the postwar and also in the 19th century. This attitude settles ils architectural proposals in the knowledge of reality understood as a physical, social, political, economical, technological and cultural context. It recognizes the complexity of globalization and of the new information age. At the same time it assumes a strong commitment with the built city, society and archilectural discipline. The age of simultaneity-which chronologically contextualizes this research - is a consequence of the technological and informative revolution consolidated since the 1990s at the same time as the global transfer from analogical to digital was taking place. In the architectural environment we can recognize simultaneity in hybrid programs, the new professinal partenship (increasing collaboration with consultants) and the new construction management systems (for example the fast track). One of the consequences of simultaneity is the difficulty in information management. ln this aspect, critic realism always tries to work with the essential information required for an architectural design. The built city is the natural scenario for the critic and realist attitude; a city which is the result of globalization effects such as urbanalization of historic centers and outs kirts, and the inevitable absorption of the periphery -which was one of the big issues of the 1980s. Critic realism intervenes in this context aiming to revitalize, transofrm, restore and even demolish it if necessary. In any case critic realism always acts with the aim to build or rebuild the identity of the built city and to set up the idea of urban sense of belonging.
Realism in architecture is a "mutant' concept which admits multiple meanings. Accordingly it would be more precise to talk about realism - in plural - and to try to properly place each one in the contemporary context. at the same time, the relation between realism and architecture is not precise and specific anymore, we could even say it is not "real" any longer and, paradoxically, it has become more abstract. This new situation has a reason: the multiplicity of meanings that architectural realism has assumed. Trends which use architecture adjectivally are increasing more and more. For example, we can talk about high tech, iconic, virtual, sustainable, modern, commercial, classic-postmodern, or real architecture, among others. Facing this architectural variety, the debate between "realist" and "non realist" is increasingly becoming a complex issue. ln the architectural context, the main difficulty in order ta comprehend realism and specifically critic realism is precisely the definition of the meaning of "realism". We usually refer to realism in terms of what has meant in the past and not what it means in the present. The recognition of architecture realism's mutability and therefore the multiplicity of meanings establish a starting point tor this research. Among all realisms, there is one which assumes a critical attitude and a commitment with the built city as well as with the complexity of the new information Age and of globalization. In turn, architectural critical realism also assumes different forms which place it in the frame of resistance to the global; cammunicative and urban integration will; social and environmental commitment; technological development and programmatic pragmatism. This research approaches the (fragmented) definition of architectural critical realism through the study of projects built in Western Europe since 1980s and supported with references from postwar reaism (1950-1960) and the artistic and literary realism of the second half of the 191th century. Architecture of critic realism claims to be an "ethic attitude" as new brutalism was in the postwar and also in the 19th century. This attitude settles ils architectural proposals in the knowledge of reality understood as a physical, social, political, economical, technological and cultural context. It recognizes the complexity of globalization and of the new information age. At the same time it assumes a strong commitment with the built city, society and archilectural discipline. The age of simultaneity-which chronologically contextualizes this research - is a consequence of the technological and informative revolution consolidated since the 1990s at the same time as the global transfer from analogical to digital was taking place. In the architectural environment we can recognize simultaneity in hybrid programs, the new professinal partenship (increasing collaboration with consultants) and the new construction management systems (for example the fast track). One of the consequences of simultaneity is the difficulty in information management. ln this aspect, critic realism always tries to work with the essential information required for an architectural design. The built city is the natural scenario for the critic and realist attitude; a city which is the result of globalization effects such as urbanalization of historic centers and outs kirts, and the inevitable absorption of the periphery -which was one of the big issues of the 1980s. Critic realism intervenes in this context aiming to revitalize, transofrm, restore and even demolish it if necessary. In any case critic realism always acts with the aim to build or rebuild the identity of the built city and to set up the idea of urban sense of belonging.
04. Tipo clasicista y arquetipo formal
Accés obert
19 de des. 2012
Conferència d'Helio Piñón, Catedràtic del Departament de Projectes Arquitectònics de l'Etsab, per a l'assignatura Fundamentos Teóricos del Proyecto Moderno del que és Responsable. Marc docent: "Máster de Teoría y Práctica del Proyecto de Arquitectura. Intensificación I".
Aprendre a ensenyar matemàtiques : Procés d’aprenentatge de les funcions amb persones amb discapacitat visual
Accés obert
19 de des. 2012
Vídeo que serveix com a material docent del Màster Oficial - Formació de Professorat d'Educació Secundària Obligatòria i Batxillerat, Formació Professional i Ensenyament d'Idiomes (Especialitat de Matemàtiques)
L’Hector és un estudiant cec, es mostra el seu procés d’aprenentatge de les funcions a partir de material manipulable per tal de fer “visible” elements de l’anàlisi matemàtic.
L’Hector és un estudiant cec, es mostra el seu procés d’aprenentatge de les funcions a partir de material manipulable per tal de fer “visible” elements de l’anàlisi matemàtic.
Pràctiques d'Estètica : Llençament d'ous
Accés obert
19 de des. 2012
Mostra de la pràctica que realitzen els alumnes de primer curs de la titulació de Disseny Industrial i Desenvolupament del Producte a l'EPSEVG.
En el vídeo els alumnes del curs 2011/2012 mostren els seus projectes basats en dissenyar un sistema d'embolcall per a un ou cru, per tal que en deixar-lo caure des d'un primer pis, l'embolcall protegeixi el seu contingut i l'ou quedi intacte.
En el vídeo els alumnes del curs 2011/2012 mostren els seus projectes basats en dissenyar un sistema d'embolcall per a un ou cru, per tal que en deixar-lo caure des d'un primer pis, l'embolcall protegeixi el seu contingut i l'ou quedi intacte.
