Objectes multimèdia amb l’etiqueta: Arquitectura
Resultats de la cerca
La Construcción de la atmósfera
Accés obert
11 de març 2013
Conferència de Jorge Vidal, Professor del Departament de Projectes Arquitectònics de l'ETSAB, dins del marc el curs de Projectes III-IVM de la Càtedra Blanca Barcelona
Vivienda + Sostenibilidad en 2013 = Rehabilitación
Accés obert
6 de març 2013
Conferència de l'Arquitecte Toni Solanas per al Master Laboratorio de la Vivienda del S. XXI.Presentat per Zaida Muxí, codirectora del Máster.
Sistemas. Más allá del tipo. Clústers
Accés obert
4 de març 2013
Conferència de Carlos Ferrater, Catedràtic del Departament de Projectes Arquitectònics de l'ETSAB i Director de Càtedra Blanca -Barcelona, per a l'assignatura Projectes III-IVM.
El títol "Consideraciones sobre la experiencia" es va donar al DVD editat posteriorment als enregistraments.
El títol "Consideraciones sobre la experiencia" es va donar al DVD editat posteriorment als enregistraments.
La experiencia de un restaurador: materiales, procedimientos, hechuras
Accés obert
1 de març 2013
Conferència de José Maria Cabrera per el Máster de Restauració de Monuments del que és responsable el Professor Fernando Álvarez-Prozorovich del Departament de Composició Arquitectònica de l'ETSAB.
José Maria Cabrera és Doctor per la Universitat Autònoma de Madrid, especialista en Restauració i Conservació i Director del Instituto Nacional de Restauració. Des de 1999 desenvolupa activitats d'I+D+i del Ministerio de Industria en Noves Tecnologies aplicades a la Restauració del Patrimoni Artistic.
José Maria Cabrera és Doctor per la Universitat Autònoma de Madrid, especialista en Restauració i Conservació i Director del Instituto Nacional de Restauració. Des de 1999 desenvolupa activitats d'I+D+i del Ministerio de Industria en Noves Tecnologies aplicades a la Restauració del Patrimoni Artistic.
Un viaje desde Viena y California hacia Lo Absurdo
Accés obert
1 de març 2013
Conferència de Marina Povedano, Llicenciada en Arquitectura per la Universitat Politècnica de Catalunya on ha obtingut una beca de suport a l'ensenyament de Composició Arquitectònica, per a l'assignatura Composició III de J.M. Muntaner
Burkina Faso. Una nova via
Accés obert
26 de febr. 2013
Conferència "Burkina Faso / Una nova via" a càrrec dels Arquitectes Albert Faus i Ferran Grau, organitzada per l'Associació d'estudiants de l'Escola Cool·lective Barcelona.
Gestió integral del projecte de Disseny
Accés obert
21 de febr. 2013
Vuitena conferència del cicle 'Disseny i la Geltrú' que té lloc al Campus de la UPC a Vilanova i la Geltrú. Toni Clariana, fundador de Magma design i membre del patronat de la fundació ELISAVA i de la comissió executiva del Barcelona Centre de Disseny (BCD), és una de les persones que contribueixen a fer de Barcelona un referent internacional en disseny.
Manuel de Solà Morales al port de Saint-Nazaire (1995-2002)
Accés obert
14 de febr. 2013
Conferència d'Oriol Clos, Arquitecte Barcelona-Lille, per a Urbanistica VI-M. Presentat per Josep Parcerisa, Professor del Departament d'Urbanisme i Ordenació del Territori de l'ETSAB.
Remodelació i transformació de l'espai portuari i interior de la base de subamarins de Saint-Nazaire, construïda per els alemanys durant la II Guerra Mundial, amb l'objecte de convertir-la en un espai públic, comercial i d'oci.
Remodelació i transformació de l'espai portuari i interior de la base de subamarins de Saint-Nazaire, construïda per els alemanys durant la II Guerra Mundial, amb l'objecte de convertir-la en un espai públic, comercial i d'oci.
La Rambla del Raval: veïns
Accés obert
13 de febr. 2013
Conferència dels Arquitectes Joan Arias, Josep Llinás i Eduard Bru per a l'assignatura Habitatge i Ciutat, presentats per Pere Joan Ravetllat, responsable del curs Projectes III-Tarda.
Casas y habitantes. La Esfera de lo íntimo
Accés obert
2 de febr. 2013
Conferència de Carlos Ferrater, Catedràtic del Departament de Projectes Arquitectònics de l'ETSAB i Director de Càtedra Blanca-Barcelona, per a l'assignatura Projectes III-IVM.
El títol "Consideraciones sobre la experiencia" es va donar al DVD editat posteriorment als enregistraments.
A partir del minut 45 es perd la imatge. Continúa l'àudio fins el final de la conferència (min 97).
El títol "Consideraciones sobre la experiencia" es va donar al DVD editat posteriorment als enregistraments.
A partir del minut 45 es perd la imatge. Continúa l'àudio fins el final de la conferència (min 97).
Disseny i Packaging
Accés obert
10 de gen. 2013
Setena conferència del cicle 'Disseny i la Geltrú' que té lloc al Campus de la UPC a Vilanova i la Geltrú. Manel Bertomeu, director executiu del Barcelona Institute of Packaging (BIP), tracta el tema de la cadena de valor del packaging.
Proyectos del Realismo crítico en la era de la simultaneidad: debates sobre la gestión de la información y las actuaciones en la ciudad construida
Accés obert
1 de gen. 2013
Presentació de Tesi Doctoral de Ferran Grau Valldosera. Director: Josep Lluís Mateo (Swiss Federal institute of Technology in Zurich (ETHZ). Co-director: Eduard Bru (PA-ETSAB). Departament de Projectes Arquitectònics. Escola Tècnica Superior d'Arquitectura de Barcelona, Universitat Politècnica de Catalunya. Tesi Doctoral dipositada a TDX:http://hdl.handle.net/10803/134688
Realism in architecture is a "mutant' concept which admits multiple meanings. Accordingly it would be more precise to talk about realism - in plural - and to try to properly place each one in the contemporary context. at the same time, the relation between realism and architecture is not precise and specific anymore, we could even say it is not "real" any longer and, paradoxically, it has become more abstract. This new situation has a reason: the multiplicity of meanings that architectural realism has assumed. Trends which use architecture adjectivally are increasing more and more. For example, we can talk about high tech, iconic, virtual, sustainable, modern, commercial, classic-postmodern, or real architecture, among others. Facing this architectural variety, the debate between "realist" and "non realist" is increasingly becoming a complex issue. ln the architectural context, the main difficulty in order ta comprehend realism and specifically critic realism is precisely the definition of the meaning of "realism". We usually refer to realism in terms of what has meant in the past and not what it means in the present. The recognition of architecture realism's mutability and therefore the multiplicity of meanings establish a starting point tor this research. Among all realisms, there is one which assumes a critical attitude and a commitment with the built city as well as with the complexity of the new information Age and of globalization. In turn, architectural critical realism also assumes different forms which place it in the frame of resistance to the global; cammunicative and urban integration will; social and environmental commitment; technological development and programmatic pragmatism. This research approaches the (fragmented) definition of architectural critical realism through the study of projects built in Western Europe since 1980s and supported with references from postwar reaism (1950-1960) and the artistic and literary realism of the second half of the 191th century. Architecture of critic realism claims to be an "ethic attitude" as new brutalism was in the postwar and also in the 19th century. This attitude settles ils architectural proposals in the knowledge of reality understood as a physical, social, political, economical, technological and cultural context. It recognizes the complexity of globalization and of the new information age. At the same time it assumes a strong commitment with the built city, society and archilectural discipline. The age of simultaneity-which chronologically contextualizes this research - is a consequence of the technological and informative revolution consolidated since the 1990s at the same time as the global transfer from analogical to digital was taking place. In the architectural environment we can recognize simultaneity in hybrid programs, the new professinal partenship (increasing collaboration with consultants) and the new construction management systems (for example the fast track). One of the consequences of simultaneity is the difficulty in information management. ln this aspect, critic realism always tries to work with the essential information required for an architectural design. The built city is the natural scenario for the critic and realist attitude; a city which is the result of globalization effects such as urbanalization of historic centers and outs kirts, and the inevitable absorption of the periphery -which was one of the big issues of the 1980s. Critic realism intervenes in this context aiming to revitalize, transofrm, restore and even demolish it if necessary. In any case critic realism always acts with the aim to build or rebuild the identity of the built city and to set up the idea of urban sense of belonging.
Realism in architecture is a "mutant' concept which admits multiple meanings. Accordingly it would be more precise to talk about realism - in plural - and to try to properly place each one in the contemporary context. at the same time, the relation between realism and architecture is not precise and specific anymore, we could even say it is not "real" any longer and, paradoxically, it has become more abstract. This new situation has a reason: the multiplicity of meanings that architectural realism has assumed. Trends which use architecture adjectivally are increasing more and more. For example, we can talk about high tech, iconic, virtual, sustainable, modern, commercial, classic-postmodern, or real architecture, among others. Facing this architectural variety, the debate between "realist" and "non realist" is increasingly becoming a complex issue. ln the architectural context, the main difficulty in order ta comprehend realism and specifically critic realism is precisely the definition of the meaning of "realism". We usually refer to realism in terms of what has meant in the past and not what it means in the present. The recognition of architecture realism's mutability and therefore the multiplicity of meanings establish a starting point tor this research. Among all realisms, there is one which assumes a critical attitude and a commitment with the built city as well as with the complexity of the new information Age and of globalization. In turn, architectural critical realism also assumes different forms which place it in the frame of resistance to the global; cammunicative and urban integration will; social and environmental commitment; technological development and programmatic pragmatism. This research approaches the (fragmented) definition of architectural critical realism through the study of projects built in Western Europe since 1980s and supported with references from postwar reaism (1950-1960) and the artistic and literary realism of the second half of the 191th century. Architecture of critic realism claims to be an "ethic attitude" as new brutalism was in the postwar and also in the 19th century. This attitude settles ils architectural proposals in the knowledge of reality understood as a physical, social, political, economical, technological and cultural context. It recognizes the complexity of globalization and of the new information age. At the same time it assumes a strong commitment with the built city, society and archilectural discipline. The age of simultaneity-which chronologically contextualizes this research - is a consequence of the technological and informative revolution consolidated since the 1990s at the same time as the global transfer from analogical to digital was taking place. In the architectural environment we can recognize simultaneity in hybrid programs, the new professinal partenship (increasing collaboration with consultants) and the new construction management systems (for example the fast track). One of the consequences of simultaneity is the difficulty in information management. ln this aspect, critic realism always tries to work with the essential information required for an architectural design. The built city is the natural scenario for the critic and realist attitude; a city which is the result of globalization effects such as urbanalization of historic centers and outs kirts, and the inevitable absorption of the periphery -which was one of the big issues of the 1980s. Critic realism intervenes in this context aiming to revitalize, transofrm, restore and even demolish it if necessary. In any case critic realism always acts with the aim to build or rebuild the identity of the built city and to set up the idea of urban sense of belonging.
